(中英文食記 / 中文下拉)

Vegan Double Down $21
Cheez, Facon and Tomato sandwiched between two Southern fried mock chicken fillets. Served with Shoestring Fries, Gravy and Slaw . 

Cornish Arms
163A Sydney Road Brunswick VIC 3056 03 9380 8383

— According to The Good Food Guide (2015), the “Cornish Arms deserves the Vegan Rock & Roll Award for the biggest range of meat free dishes for the pub crowd”. 

If you are looking for something thats cheap and tasty but also has an element of ‘ Traditional Australian Food, I would suggest to you, Pub Food. 

Cornish Arms is a very popular pub along Brunswick’s bustling Sydney Road in Melbourne's north. Unlike most traditional ‘Aussie’ pubs, Cornish arms offers both meat and Meat free (Vegan and Vegetarian) options. As well as the Food, Cornish arms boasts 12 different vegan Beers. It is as a Vegan option where Cornish Arms really shines. 

This time visiting Cornish Arms, I tried their pièce de résistance the ‘Double Down’. Based off a very popular albeit, dirty piece of fast food history, KFCs very own ‘Double’ or ‘Man Time’. Although, As I try to follow the more traditional teaching of Chinese medicine, wherein one tries to avoid all food and beverages that are served Raw, Fried or Grilled, as this was the most recommended vegan item on the menu, I gave it a try.

The double down from Cornish arms really is for the meat-loving vegan trying to find a good substitute or imitation, and I highly recommend this item for anyone in search of a meat free meal, it’s quite incredible. If anyone reading this is contemplating becoming vegan or vegetarian however is unsure where to start, or what substitutes for meat are out there, cornish arms is a brilliant starting place. 

The Double Down’s faux-meat in the dish taste just like the meat you would expect from the KFC double, if not better. The texture and taste of the mock fried southern fillets is just that good that you could swear you were eating meat! Crisp, juicy and very generous in size, teamed with the shoestrings fries and optional Vegan Aioli ( So good. Be sure to ask for this when you visit) this really is the one to try to get you hooked on their menu. 


The Cornish Arms Usually serve brunch and dinner, and also have amazing daily special for both foods and drinks, so if you ever find yourself looking for some fair dinkum Aussie tucker and a cheap beer, let’s go to Cornish Arms! 

英國和澳洲人都知道,要找便宜又美味的食物,到酒吧準沒錯。除下酒的炸物點心外,通常酒吧會提供早午餐和晚餐,這稱之為「Pub Food」。

「Pub Food」源起於90年代的英國,在酒吧提供餐點的服務,不僅讓消費者隨時解決肚子餓的問題,也讓許多經營不善的老酒吧起死回生。酒吧美食從英國傳承到澳洲,後演變成澳洲的傳統食物之一。

Cornish Arms是墨爾本當地唯一提供大量素食餐點的酒吧,並且提供12款純素啤酒與生啤。市面上啤酒和紅酒,為了增加口感,大多會加入明(魚)膠、骨粉、動物性蛋白,並不是所有的啤酒和紅酒都是純素的,飲酒時要特別注意。

很久沒吃速食和素肉的我,在一整片的上烤山下油鍋的食物中,選了這道源自於肯德基的「雙層炸G腿起司堡」的Vegan Double Down。這G腿排炸的又香又酥脆,素肉帶有素G豆腐皮的味道,外酥內嚼勁十足;我看著G腿排切面,竟發現還揉進了迷迭香草,這化去油膩巧思就在這裡,我深深佩服廚師的調和功力。

已經完全不吃生食的我,把沙拉和內餡沙拉都分給在場友人,據說清甜爽口,不過油過膩,而特製的蛋黃醬(Vegan aioli sauce)與G腿、薯條也是相當對味,真是太貪心了,好吃。

純植物性的飲食,不僅能解決道德和環保的的問題,最重要的是幫助健康;而健康的飲食方式,就是遵照中醫的飲食方式,比方說李璧如醫生的十二箴言*註1,完全清淡、溫熱食的生活,僅能有少數人能做到,但是我們可以一步一步來,從先不要吃肉開始,有了信念,未來就會自動追尋更健康的生活方式。

*註1. 李璧如醫生的十二箴言:戒「冰冷寒涼、燒烤炸辣、濫補濫清」



#Veganjunkfood #KFC #VeganDoubleDown #DoubleDown #vegansofig #vegan #veganmelbourne #melbournevegan #Veganbeer #vegetarian
#healthfood #vscofood #Vsco ##bestofvegan #foodandbeer #pubfood #veganpubfood #melbourneveganpubfood #CornishArms  #Brunswickvegan #素食 #香草 #純素 #動物性不使用 #菜食 #全食物 #健康 #墨爾本美食 #啤酒 #炸物




Photo by ResidentAdvisor
澳洲上午的巴士,相對來說比早晨時清閒,車內大多泛著中老年人,氣味混雜並且矛盾。好比嬰兒的奶香交織著飲酒過度的汗酒氣,那些婦人身上的維他命E乳液味、男人身上的菸槍味與一早就莫名其妙的渾身體味…簡直難以想像到了晚間會多令人難受。我看見許多的鴨舌帽上佈滿灰塵,和那些主人佈滿皺紋的臉一模一樣。

像我這樣對氣味敏感的人,搭乘大眾交通工具是痛苦的。我選擇拿出耳機,插入哀鳳,點開我最常聽並在演出時最喜歡放的Paula Temple,我決定關進自己的世界裡。
Paula Temple - Cloned
寶拉是目前旅居柏林最頂尖的Techno藝人/ 製作人之一,她的技巧高竿,音樂具有強烈的個人風格--完全直球型的兇悍殘暴,讓你一聽就知道是她。在世界各地的Techno舞台上,其實有許多創作者的作品都非常類似。但寶拉不一樣,她有著絕不隨波逐流的創作信念,使她的音樂獨特並充滿力量。表面上工業、激進、暗潮洶湧,其內在卻是蘊含著正面的恆定力量。
她也是真正關切女性平等的音樂家,延續鐵克諾的精神,以自身的能力來推廣社會意識,並在音樂中顛覆。雖然不如底特律那幫人般的Hardcore,但習承下來的強硬能量簡直如出一轍,令人欽佩。
Photo by Berry Lady
如果外在的世界很令你厭煩,那我推薦你聽她的歌。Paula Temple絕對不性感、不化學、不芭樂。狠狠吸一口新鮮的空氣之後,開始吧。
Paula Temple - Miyako
其實我十分想念台灣,尤其想念大家在Korner齊聚的時刻,祝福Soma Taipei三週年生日快樂。





是誰說墜落?到底有誰墜落過呢?

MY DISCO由吉他手Ben和貝斯手/ 主唱Lian兩兄弟與鼓手Rohan組成,曲風帶有後龐克、極簡、工業元素,曾巡迴過北美、歐洲、東南亞、日本等國,在澳洲本地的樂團圈有一定的知名度,而在主流和獨立的唱片行都一定買得到MY DISCO的黑膠。

MY DISCO - Wrapped Coast


在2015年發行《Severe》專輯後,被更多的音樂媒體聽見,並給了他們不俗的評價,甚至還有小天鵝之稱;也有些人嗤之以鼻,覺得他們還在摸索,而我倒是很喜歡。我在2016年2月參加了MY DISCO的演出,並準備了專業耳塞應戰,也一如預期的「非常大聲」。在那狀態之中,會令你產生許多好奇和疑問,從腦海中帶著畫面來。MY DISCO猶如強力的閃電,在觀眾間摩擦運作,現場一片漆黑,貝斯手/ 主唱Lian囈語般的吟唱,吉他手Ben彈琴的方式幾乎像是誦經的喇嘛,舞台上只有一束光,照著鼓手Rohan仰望著天,觀眾彷彿來望彌薩。

MY DISCO - King Sound

MY DISCO不是一般的通俗雅樂之音。3月23日大家去聽一次就知道了,記得帶耳塞。

MY DISCO - 1991


官網/ 歌曲試聽/ YouTube頻道:
http://MYDISCO.COM.AU/

MY DISCO(AU) 亞洲巡迴 台灣場 w/ 落差草原WWWW, 2HRs
MY DISCO 亞洲巡迴 台灣場
日期:2016 / 03 / 23(三)
地點:小地方展演空間
共演樂團:落差草原 WWWW、 2HRs
售票資訊:預售 NT.450|現場 NT.550 (皆附兩杯飲料)
購票頁面:https://www.indievox.com/apamini/event-post/17909



Photo by Melbourne Symphony Orchestra

‘‘I think that these styles are the music of now not tomorrow.’’——Jeff Mills


上週末來臨前,我發現週六的夜晚是MSO(墨爾本城市交響樂團) X Jeff Mills + Derrick May在墨城的表演。同時間得知Smoke Machine也公布了Jeff Mills三月十八日在台北的演出訊息。

MSO x Jeff Mills + Derrick May


印象中這場墨城的演出,好像有人跟我提醒過,但我忘了是誰。每當開演前幾天的關鍵時刻,總會接到各種形式的大量提醒,臉書、信箱或是朋友。如果這個表演夠重要,我很樂意接到這些訊息。總之,我開始上網找尋官方售罄的座位席門票。即使多花點錢,我也一定要買到靠近舞台的座位席,若是站立席的話,我就不去了......在瀏覽網頁時,我這麼默念著。


Myer Music Bowl是一個大型的戶外場地,就像一顆含著珍珠的蚌殼,舞台即是珍珠,大約有兩千三百個座位席圍繞著,一大片斜坡般的外圍就像蚌殼,是可容納超過一萬人的站立席。我曾有過切身之痛,就是參加去年(2015)十一月Tame Impala的演出。澳洲出了名的毒品酗酒問題,搭配上這來自伯斯的迷幻樂團組合,真讓我大開眼界!視線不良只是其中之一的小問題,最惱人的是東倒西歪、隨時會跌倒在妳身上和大聲說話及胡鬧的觀眾,而我這樣講已經算是很客氣了。我怎樣都猜不透這些人為何要花上將近台幣一千五百元的門票,再私帶烈酒、毒品進場,喝到吐、嗑到掛......到了一種根本不知道誰在台上表演的程度。

Photo by Weekendnotes
但這是我喜歡在墨城參加Indie、Underground表演的原因之一,並非說我不想看大團,而是人一多的大表演或派對現場是真的很胡鬧,幾乎過半的觀眾都只是來參加派對的,他們的焦點並不在音樂本身。於是每當要參加國際藝人的演出,我就得想辦法避開人群。看Indie團就沒這樣的煩惱。看團的人大多有禮貌,也會共同維持秩序,遇到沒禮貌又擾亂的情形,就會直接請保全將鬧事者送出去。相較之下,在台灣看表演,既沒煩惱又舒適;大部分的人都是尊重表演者和場地的,整體來說是很有氣質的。


終於,週六夜晚,我身處Myer Music Bowl,手拿著票卷找著坐位,碰巧看見幾位被譽為代表墨城Techno的年輕音樂家 / DJ也來看表演,他們的出現絕對很合理,因為今晚是世界上最前衛的Techno大師——Jeff Mills和底特律傳奇三傑之一的Derrick May以及當地首席交響樂團MSO同台共演,喜愛電子、爵士、古典、靈魂樂的音樂人和樂迷們,沒有理由不前來。

當晚的演出順序是Jeff Mills與MSO共演一小時,之後再由Derrick May與MSO共演一小時,最後則是Jeff Mills x Derrick May x MSO encore。

Melbourne Symphony Orchestra x Jeff Mills + Derrick May


MSO整隊完成即開始演奏,沒有侵略性的表現,反是輕輕淡淡的現代環境音樂。我嘗試著去聆聽Jeff Mills身在何處,同時,現場也喚起了我的記憶——那些由他所製作的電影樂曲作品。和交響樂搭配的演出,是面目一新的感受,我聽到一些Light beat和Hi hat出自他的手筆,小小聲地。Jeff Mills並沒有將自己放在主角的位置,他站在舞台右側,就像他做電影配樂一樣。

"Metropolis", Fritz Lang(1926), Musique de Jeff Mills

Jeff Mills - Three Ages Intro


在第一首歌結束後,Jeff Mills拿起了麥克風,非常有禮地感謝了關於活動的這一切,並介紹下一首曲目〈The March〉——這首歌是Jeff Mills對當時底特律正在進行的政治抗爭所做出的回應。他當時人在柏林,所以無法加入現場抗爭,但這場行動使他創造了這首歌。〈The March〉是正統的底特律House舞曲,並混入工業的機械聲,因鍵盤、合成器的音色所致,本身另帶有弦樂色彩;而聯袂MSO重新詮釋的版本,則像是全開般的編制交響樂與鼓機力道十足,別開生面。

Jeff Mills - The March

觀眾幾乎在等待Jeff Mills使出傳聞中那「神乎其技」、「出神入化」的鼓機大秀,空氣中瀰漫著這般的氛圍,融合著交響樂那清晰的演奏,舞台上的理智呈現,更顯得台下的騷動不安。我心底突然有一種抗拒的感覺,關於......Jeff Mills被冠上的那些厲害形容,那些浮誇的譬喻;我認為有辱了這位未來派的大師。

接著一曲響亮的〈Sonic Destroyer〉劃破了我激進的想法。


這首凶狠的90年代名曲,由Jeff Mills與編曲家Thomas Roussel重新改寫為交響樂版本。當本次的指揮家Dzijan Emin優雅地揮下第一拍,那如金屬般尖銳的弦樂便大飆特飆,隨即終結我和所有觀眾腦海裡那混亂的宇宙。接著,科技般的聲響出現。靈敏的鼓機挺進著節奏,而強勁的管樂則是發出了急救般的嗚咽。這一氣呵成的旋律,彷彿在翻譯我心對這世界陳腔濫調的厭倦,這膠著的意識型態。隨著全場的歡呼和淋漓盡致的演奏,〈Sonic Destroyer〉俐落結尾,實在厲害。

Jeff Mills ( live at Pont du Gard ) - Sonic Destroyer



我聽見一個清亮、清脆的節拍,正緩緩地被推出。當觀眾的掌聲全數寂靜的刹那,另一個熟悉的鐘聲響起,是在1997年發行、收錄在《Kat Moda》EP中的經典代表作〈The Bells〉。

Jeff Mills & Montpellier National Orchestra - The Bells (''BLINKY'' Original Flavour Mix)



Jeff Mills的音樂,是以DJ的技法來延伸創作而聞名,在此曲中更是令人感受至深。今晚他使用Roland TR-909、Roland TB-303、24軌Mixer搭配CD players、CDJ mixer。他讓穩定的鼓聲錯落在緊張的弦樂之間,使每回打擊的鐘聲更具戲劇性,他得逐一審核音源,這ㄧ放一收,都是在挑出多餘的、不必要的弦外之音。

Photo by Pearlhq

在最後一曲上場前,Jeff Mills走至舞台中央,和觀眾介紹接下來這首歌,是在94年發行的《Cycle 30》專輯中所收入的〈Utopia 〉。他說:「在籌備與MSO的巡演時,讓我重新整理了許多老歌。我一直想將〈Utopia 〉改編為交響樂,這次剛好有機會一償宿願。今晚是〈Utopia 〉首次的現場演出,希望大家喜歡。」

[B3] Jeff Mills - Utopia

曾有媒體在看完Jeff Mills與交響樂的首次搭配演出後報導:「Jeff Mills看起來迷路了。」但我並不這麼覺得。在Techno名曲中,經常有大量的弦樂、打擊樂元素,和管弦樂有著相對的關係。

若想在Jeff Mills的現場中,聽見那脫穎而出的Techno Beat,你是得去他的個人專場打碟秀才能親身體驗到的。而他和交響樂的表演是恰恰相反的。

Jeff Mills:「我在樂團的位置裡,比較接近大提琴、低音大提琴手,而我的工作是保持節奏。」


他為求音樂完美呈現,多次邀請指揮家代替自己來擔綱交響樂的編曲重任。而這些散發曖曖光澤的底特律之音經由交響樂的詮釋,不僅呈現了最立體的一面,氣勢壯闊,更令人歎為觀止。

Jeff Mills & Montpelier Philharmonic Orchestra - Full Video
——————————————————————————Music is Music, Life is Life, Rhythim is Rhythim. Derrick May

‘’Music is Music, Life is Life, Rhythim is Rhythim.’’——Derrick May

抬頭一看,天色全暗了,9點20分,今晚是月白風清的良夜,空氣的濕度聞起來像秋天,然而現在是盛夏。

也許是因為遠在他鄉的緣故,我突然想起一些四散在世界各地的朋友,有人讀書、有人結婚、有人行醫,有人為了理想出走,見面機會總是遙遙無期;我又想起家鄉裡的一些朋友,很多人在堅持某些事,他們從來沒有打算離開台灣。


舞台上空降了一條橫式的投影,Derrick May坐在指揮家Dzijan Emin的正前方。穿著黑襯衫和戴著黑框眼鏡的他,看起來像個爵士樂手。我瞇著雙眼看著他的雙手敲擊在Motif XF7鍵盤上,耳朵裡便傳來共鳴,那音樂涓涓的流動著,那投影柔柔粉粉的,是一條銀色小魚在舞台上無秩序的游著。

Photo: Jacob Christ

接下來我幾乎出神。我的意識被女高音Michelle McCarthy和女中音Cassandra Seidemann帶著走,只依稀記得自己彷彿在底特律的母體中;迪斯可芝加哥浩室歐陸白人合成器電子樂黑人放克靈魂爵士樂;Techno與古典交響樂的完美搭配根本超現實。

我就這樣癡癡的望著舞台,甚至看見許多孩童從椅子上站了起來並跳著舞,其實在座位席的觀眾多為闔家來觀賞交響樂的演出。可是派對(菸、麻、酒、毒)氣息實在太濃厚,所以我在進場後便壓根忘記了這些家庭的存在,坦白說這些組合非常奇怪,但這就是墨城最真實的樣貌。


霎時一個熟悉的鋼琴獨奏清爽的落下,我不由自主地跟著全場尖叫起來,是Derrick May的生涯代表作〈Strings of Life〉。記得Derrick May曾說:「如果你來我放歌的場子想要聽〈Strings of Life〉,那就滾吧!」但今晚的節目不同,也是目前唯一能親耳聽見他本人演奏的機會了,而透過指揮家Dzijan Emin的領導,更令我感受到舞台上的靈魂充滿著熱情的律動,精彩絕倫。

Derrick May & Friends - Strings of Life

電子樂對於Derrick May來說就像是一個無垢、無限的宇宙。因為住在底特律,那裡的一切對他來說既醜陋又雜亂。電子樂不僅還給他美好事物的想像力,也是啟發他開始創作的影響之一。這首歌在1988年發行時剛好迎上80末、90初Acid House的熱潮,這些成熟的因緣,為底特律之音開了一扇門,Techno一炮而紅並席捲了全世界,接著歐洲、英國的音樂家又重新演繹了Techno,如今2016年,Techno已變成全世界夜生活的風格代表,放Techno的俱樂部從週五開始營業,一路不間斷到週日,時代徹底改變,音樂只是狂歡的輔助品。又有誰還記得最具指標性的底特律舞廳——The Music Institute?在當年,舞客們只單純為音樂而來,不僅人人有著開放的心胸,聽到音樂甚至還會全場齊唱,而且只賣果汁不賣酒,甚至還沒人抽菸......這樣的精神,還有誰記得呢?

MUSIC INSTITUTE 20TH ANNIVERSARY PT1 : DERRICK MAY - UNTITLED


此曲結束後,全場觀眾站了起來。這些熱烈的掌聲在漆黑的夜裡像是煙火一樣,然後Jeff Mills回到了舞台上,這是他們首度同台演出。對此,他們共同寫出了一首新歌,是今晚的安可曲。既然是最後一首歌,我決定往靠近舞台一些的方向走,不想錯過這個具有歷史性的演出。天空開始落下雨滴,迫使著在屋簷外的觀眾也擠進座位區。

MSO x Jeff Mills + Derrick May encore song 


指揮家Dzijan Emin雙手一揮,天衣無縫的將古典又前衛的MSO樂團、極簡又科幻的Jeff Mills與浪漫又熱情的Derrick May優雅地串聯在一起,我開始懷疑這場大雨是出自Dzijan Emin之手!他是今晚最出色的翻譯員,也是鐵克諾樂迷必須記住的藝術家。而他們一同譜出的曲目,果真得到了最大的掌聲。今晚對我而言,看到兩位表演者,已是夢想成真,還能聽到好聽到無話可說的新曲,簡直是太不可思議了。而三人在結束後輕輕說了聲謝謝便隨著團員一同離開了舞台。雨越下越大,剛剛演奏的音樂彷彿還在耳邊迴響。觀眾在底下歡呼,Derrick May回到舞台上拿了遺忘在鍵盤上的眼鏡後,揮揮手跑下舞台;今晚完全沒有「神乎其技」也沒有「出神入化」,是一場穩紮穩打的形而上表演。雷雨交加的傾盆大雨迫使著我離開,上了電車後,我仍望著濕淋淋的窗外,回味著這場充滿浪漫主義的演出。


  • Wed 12 Dec 2012 16:56

Words : Cloudy Ku
Within life's great landscape of musical encounters, everyone has definitely collected those bits and pieces of memories. That year, I was like a fruit being carried in a warm basket, and that basket was filled with people like me, and eventually the basket was so full of fruit that all sorts of emotions started pouring out. That collective memory of ours is the music of Gui Boratto.
I remember when I saw an imported copy of Kompakt's Chromophobia in the record shop back in 2007, I was in awe by Kompakt's use of colors that included all of the basic color tones on their album cover. At that time, for me, Kompakt was an electronic brand from Cologne, Germany that had both avant-garde designs and futuristic industrial concepts. Their albums were always minimalistic. Their choice of cover art color palette were always in the same tone, but varying in gradient, or shade. The music within, were at times cute and mischievious, sometimes possessing qualities of spiritual imagination. Most of the time though, that inviolable distance. After all, I am not a person who was born into the cultivation of German music. The emergence of Gui Boratto's album is filled with the most sincere of warmth. When listening, I can always feel this emotion that moves me. The song list order is arranged just right, tickling my emotions. It was then I fell in love with him!
During this correspondence interview, I thought repeatedly about how to let the readers and Gui Borrato himself seem more sincere. When I sent the interview correspondence letter, I really felt like I was sending a love letter, enclosed with 25 carefully thought out questions of interest and curiosity! Fortunately, the charming and gentlemanly Gui Borrato answered each question without reservation, an exclusive first interview for the fans in Taiwan!

1. We know you used to be a guitarist in a band and we can definitely hear some rock elements in your music. That is also why your fans are slightly different from regular EDM music fans. Can you tell us about your rock music career?
Gui:Guitar and piano are my main instruments. I used to play guitar in some bands when I was young, but I did not have a proper career. Speaking about my different audience, yes, I guess because of my rock influence I have a slightly different crowd, which I love it. It's good to have different tribes on a festival. Definitely, my listeners are not 100% techno head bangers.

2. How much time do you spend on music everyday, whether practicing or producing?
Gui:It's like a disease. I pretty much stay all day in the studio, playing around, doing some music, remixing, whatever. Even if I go to the beach for more then 3, 4 days, I used to bring my laptop to scrap some little ideas.

3. When did you start remixing? How did you transform from guitarist to producer?
Gui:I was a guitar and piano player. I've studied both for more then 12 years. Meanwhile, I've started to produce some music for my band that time, and naturally started to program things on my first sequencer. A Roland MC-500, a gift from my father on 1989. Then, some years passed and I've also started to produce things for other bands. Only after 15 years doing that, I've decided to be more focus on my own music. Right after my first techno hit release, "Arquipélago", people started to request some remixes from my side. I'm glad that I did some nice remixes for people like Pet Shop Boys, Massive Attack, Simian Mobile Disco, Bomb The Bass, Goldfrapp, M.A.N.D.Y etc...

Simian Mobile Disco - Bad Blood (Gui Boratto Remix)

Goldfrapp - A & E (Gui Boratto Remix)

4. What gear do you use to make music?
Gui:A lot of hardware mainly. But I love soft synths as well. My favorite hardware are, SH-09, 101, EMS-VCS-3, All MKS Roland modules (50, 70 & 80), Juno, Six Trak, PolySix, System-100, NordLead, all Roland drum machines (TR-606, 808, 909 etc...) Speaking about software, I really love Reaktor, Kontakt, and some Logic native synths.Everything is programmed thru Logic. I still use my ProTools hardware with Apogee audio interfaces. Some D.I.s, and a pair of Adam Monitors.That's it.
5. "Chromophobia" really subverted our impression of you from TECHNO,in a good way of course. Has the release of this album made any impact to your career or personal life?
Gui:Yes, especially the song "Beautiful Life", which made my audience grow a lot. Because of this album, I started to tour all corners of the planet. I'm very happy about the result of this album.
Gui Boratto - Beautiful Life"
6. We often hear your work in the form of remixes, but we also want to hear more of your mixtapes. Are there any plans on putting out new mix-albums?

Gui:Well, everybody knows that I'm not a DJ. I really like to do the Renaissance mix compilation though. But I really prefer to be more focus on my own music. Mainly in the studio or playing my songs live.

Andre Sobota - Forgotten

7. We really like the remix you did on Massive Attack's Paradise Curcus and Black River from Bomb The Bass. On what occasion did you have the opportunity to make these remixes?We'd really like to know. 
Gui:Bomb the Bass came first. Tim Simenon came to me and after doing that,he asked me to get together and produce the new Bomb The Bass album together. He came to Brazil and we stayed for 2 weeks composing andproducing.The Massive request came from the guys from EMI. I loved the original and got inspired a lot. I recorded the guitars and the bass line.Grant and Rob from Massive were very happy with the final result. That was the story.
Bomb The Bass - Black River (Gui Boratto Remix)


8. Do you, like Massive Attack, have any message you want to bring forth? For example, any political or social issues?
I love the music from them. To be honest, I'm not really into political issues. For me, music and the relations between harmony and melody use to make me cry, not political messages. On the other hand,I think these kind of messages are very important and make people think at the time of their votes, for example.
Massive Attack - Paradise Circus (Gui Boratto Remix)


9. Can you tell us how the EDM scene is in Brazil?
Brazil has the most amazing clubs of the planet, but the scene here is becoming very cheesy and commercial in all senses. I miss some old clubs and venues where people used to be there only because of good music. Now, people want to see and to be seen. Sad,sad, sad....

10. The Taiwanese and the Brazilians have one thing in common: Passion! But passion is a very broad word. Do you think Brazil is a place full of passion?
Gui:Of course. Everything we do has a lot of passion. Food, Football,Music, etc!!!!!


11. It is our custom to ask about your impression of Asia. It would be great if you can tell us what you feel about Taiwan!

Gui:Can't tell. It's going to be my first time there!
12. We believe that in this tour it will be the first time for many to hear your music or see your performance. How do you distinguish your performance from other professional DJs?
Gui:As you might know, I don't DJ. I play live, and 100% of my own productions. My own music or my remixes for other artists.
This is a big difference. The good thing is that I can improvise,experiment things on the fly that is quite impossible for a regular DJ. But it's not comparable. The art of DJing is another story. A beautiful story I can say. And art I really cannot do it. Not as a professional DJ.

13. What gear do you use in your live performance?
Gui:A laptop, audio interface, a controller and a Lemur. Very simple. Very
kompakt :-) 

14. We know that you sometimes incorporate live guitarists in your performance, will Taiwan be able to see this performance in the future?
Gui:Why not. But for this tour, I'll be alone. Alone but full of excitement.

15. Some people relieve stress by listening to music or attending liveperformances. What does Gui Boratto do? How do you relieve stress?
Gui:I make music. I draw things. I love movies. Yes, movies is one of my favorite stress relieves.
16. Can you give some advice to young creators? How do you balance time between music-making and other affairs?
Gui:I believe a true dedication is the key. I know it's hard to make music a living work, in terms of money etc. But dedication is the key to really become somebody in this truly competitive world.

17. Is there any meaning/story behind the cover-art of "Take My Breath Away"?
Gui:The message is the kids, with masks and the fake flowers. The environment seems to be nice, but it's just too fake. All flowers are plastic ones. And the kids are sick and tired of that. It's a critic in all senses. All terms: politics, music, pollution, social relations, everything.
18. We feel your expression of love in ''Take My Breath Away''. Our friends each have different interpretations of the lyrics in ''No Turning Back." What is your interpretation of the lyrics? Combined with music, what specific emotion are you trying to express?
Gui:Well, the lyrics are so general that it causes different interpretations for each one. So, let's keep it like this. That's what I wanted to cause. Depending on the mood of each one, that song can be happy. Depending, it can be really sad. I love when it happens.

19. The common conception of electronic is that it is cold and indifferent. Your music however conveys a sense of healing. Have you ever had any rebellious periods in your youth? If there was, what sort experience was that?
Gui:I came from rock. I'm a guitar player. I really cannot stand listening pure techno for 6 hours. I really need something else. Some melodies.This is a true slap in my face. I need to feel something. Good or bad.
20. In another interview, you said that "Chromophobia" was not an album designed for the dance floor. You also mentioned that you are not a dancing person. Yet nowadays everyone in the clubs are dancing to your music. Did this phenomenon create any impact on you?
Gui:I was expecting that. But honestly, I see people on the dance floor listening to my music more then dancing. I see they are enjoying and paying a lot of attention. That really makes me happy. My music are not explosive. But something to feel and something that takes you to a different level.

21. What kind of music are you listening to lately? Can you recommend any artists or bands that you like?
Gui:I really like Michael Buble, some rock bands like Klaxons, some tangos and boleros.

22. I personally feel that your new album is a continuation of "Chromophobia." it has very heady emotions. We were excited ever since your new single was open for download. Please say something about your new album!
Gui:You are totally right. It's a continuation. But "III" has more of my rock and roll vain. It's a bit more introspective, but sometimes more aggressive. For me, "III" is my favorite album so far.
23. You are a song-writer, producer, musician, gourmet, architect and a father. You were also once an architecture student. How are you enjoying life so far? Are you looking forward to the food in Taiwan?Also, what are your future plans?
Gui:Food is really important. Im a total foodie. Im really looking for to go to some nice restaurants in China. I adore the asian cuisine and I can't wait to be there. I love spices, I love fish, I love the combination of these elements on the asian dishes. Future plans? Maybe setup a little restaurant here in São Paulo? A fish one.
Gui Boratto - Striker

24. Can you recommend places in São Paulo for Taiwanese tourists traveling there? Are there any live houses, bars or restaurants that
Gui:you recommend?Let's focus on the restaurants. My favorites are: "Ici Bistrot" (my fav. french one in town). "Le Vin", also a really nice french. And Nagayama (Al. Consolação). The best japanese in town. But you need to sit on the bar, and ask Armando, the best sushiman in Brazil. I super recommend.

25. Lastly, please say something to your fans in Taiwan!
Gui:Really excited to be there, for the first time. I invite all of you to hear some of my music, from the past, present and some from the future (unreleased stuff)... Let's go! Kisses, Gui!!!!!



Battles - Wall Street (Gui Boratto Remix) taken from Dross Glop

Pet Shop Boys-Love Etc (Gui Boratto Remix)


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