Review | Jeff Mills, Derrick May and The Melbourne Symphony Orchestra at The Sidney Myer Music Bowl

晚上11:26:00 Cloudy 0 Comments



Photo by Melbourne Symphony Orchestra

‘‘I think that these styles are the music of now not tomorrow.’’——Jeff Mills


上週末來臨前,我發現週六的夜晚是MSO(墨爾本城市交響樂團) X Jeff Mills + Derrick May在墨城的表演。同時間得知Smoke Machine公布了Jeff Mills三月十八日在台北的演出訊息。

MSO x Jeff Mills + Derrick May


印象中這場墨城的演出,好像有人跟我提醒過,但我忘了是誰。每當開演前幾天的關鍵時刻,總會接到各種形式的大量提醒,臉書、信箱或是朋友。如果這個表演夠重要,我很樂意接到這些訊息。總之,我開始上網找尋官方售罄的座位席門票。即使多花點錢,我也一定要買到靠近舞台的座位席,若是站立席的話,我就不去了......在瀏覽網頁時,我這麼默念著。


Myer Music Bowl是一個大型的戶外場地,就像一顆含著珍珠的蚌殼,舞台即是珍珠,大約有兩千三百個座位席圍繞著,一大片斜坡般的外圍就像蚌殼,是可容納超過一萬人的站立席。我曾有過切身之痛,就是參加去年(2015)十一月Tame Impala演出。澳洲出了名的毒品酗酒問題,搭配上這來自伯斯的迷幻樂團組合,真讓我大開眼界!視線不良只是其中之一的小問題,最惱人的是東倒西歪、隨時會跌倒在妳身上和大聲說話及胡鬧的觀眾,而我這樣講已經算是很客氣了。我怎樣都猜不透這些人為何要花上將近台幣一千五百元的門票,再私帶烈酒、毒品進場,喝到吐、嗑到掛......到了一種根本不知道誰在台上表演的程度。

Photo by Weekendnotes
但這是我喜歡在墨城參加IndieUnderground表演的原因之一,並非說我不想看大團,而是人一多的大表演或派對現場是真的很胡鬧,幾乎過半的觀眾都只是來參加派對的,他們的焦點並不在音樂本身。於是每當要參加國際藝人的演出,我就得想辦法避開人群。看Indie團就沒這樣的煩惱。看團的人大多有禮貌,也會共同維持秩序,遇到沒禮貌又擾亂的情形,就會直接請保全將鬧事者送出去。相較之下,在台灣看表演,既沒煩惱又舒適;大部分的人都是尊重表演者和場地的,整體來說是很有氣質的。


終於,週六夜晚,我身處Myer Music Bowl,手拿著票卷找著坐位,碰巧看見幾位被譽為代表墨城Techno的年輕音樂家 / DJ也來看表演,他們的出現絕對很合理,因為今晚是世界上最前衛的Techno大師——Jeff Mills和底特律傳奇三傑之一的Derrick May以及當地首席交響樂團MSO同台共演,喜愛電子、爵士、古典、靈魂樂的音樂人和樂迷們,沒有理由不前來。

當晚的演出順序是Jeff MillsMSO共演一小時,之後再由Derrick MayMSO共演一小時,最後則是Jeff Mills x Derrick May x MSO encore

Melbourne Symphony Orchestra x Jeff Mills + Derrick May


MSO整隊完成即開始演奏,沒有侵略性的表現,反是輕輕淡淡的現代環境音樂。我嘗試著去聆聽Jeff Mills身在何處,同時,現場也喚起了我的記憶——那些由他所製作的電影樂曲作品。和交響樂搭配的演出,是面目一新的感受,我聽到一些Light beatHi hat出自他的手筆,小小聲地。Jeff Mills並沒有將自己放在主角的位置,他站在舞台右側,就像他做電影配樂一樣。

"Metropolis", Fritz Lang(1926), Musique de Jeff Mills

Jeff Mills - Three Ages Intro


在第一首歌結束後,Jeff Mills拿起了麥克風,非常有禮地感謝了關於活動的這一切,並介紹下一首曲目〈The March——這首歌是Jeff Mills對當時底特律正在進行的政治抗爭所做出的回應。他當時人在柏林,所以無法加入現場抗爭,但這場行動使他創造了這首歌。〈The March〉是正統的底特律House舞曲,並混入工業的機械聲,因鍵盤、合成器的音色所致,本身另帶有弦樂色彩;而聯袂MSO重新詮釋的版本,則像是全開般的編制交響樂與鼓機力道十足,別開生面。

Jeff Mills - The March

觀眾幾乎在等待Jeff Mills使出傳聞中那「神乎其技」、「出神入化」的鼓機大秀,空氣中瀰漫著這般的氛圍,融合著交響樂那清晰的演奏,舞台上的理智呈現,更顯得台下的騷動不安。我心底突然有一種抗拒的感覺,關於......Jeff Mills被冠上的那些厲害形容,那些浮誇的譬喻;我認為有辱了這位未來派的大師。

接著一曲響亮的〈Sonic Destroyer〉劃破了我激進的想法。


這首凶狠的90年代名曲,由Jeff Mills與編曲家Thomas Roussel重新改寫為交響樂版本。當本次的指揮家Dzijan Emin優雅地揮下第一拍,那如金屬般尖銳的弦樂便大飆特飆,隨即終結我和所有觀眾腦海裡那混亂的宇宙。接著,科技般的聲響出現。靈敏的鼓機挺進著節奏,而強勁的管樂則是發出了急救般的嗚咽。這一氣呵成的旋律,彷彿在翻譯我心對這世界陳腔濫調的厭倦,這膠著的意識型態。隨著全場的歡呼和淋漓盡致的演奏,〈Sonic Destroyer〉俐落結尾,實在厲害。

Jeff Mills ( live at Pont du Gard ) - Sonic Destroyer



我聽見一個清亮、清脆的節拍,正緩緩地被推出。當觀眾的掌聲全數寂靜的刹那,另一個熟悉的鐘聲響起,是在1997年發行、收錄在《Kat ModaEP中的經典代表作〈The Bells〉。

Jeff Mills & Montpellier National Orchestra - The Bells (''BLINKY'' Original Flavour Mix)



Jeff Mills的音樂,是以DJ的技法來延伸創作而聞名,在此曲中更是令人感受至深。今晚他使用Roland TR-909Roland TB-30324Mixer搭配CD playersCDJ mixer。他讓穩定的鼓聲錯落在緊張的弦樂之間,使每回打擊的鐘聲更具戲劇性,他得逐一審核音源,這ㄧ放一收,都是在挑出多餘的、不必要的弦外之音。

Photo by Pearlhq

在最後一曲上場前,Jeff Mills走至舞台中央,和觀眾介紹接下來這首歌,是在94年發行的《Cycle 30》專輯中所收入的〈Utopia 〉。他說:「在籌備與MSO的巡演時,讓我重新整理了許多老歌。我一直想將〈Utopia 〉改編為交響樂,這次剛好有機會一償宿願。今晚是〈Utopia 〉首次的現場演出,希望大家喜歡。」

[B3] Jeff Mills - Utopia

曾有媒體在看完Jeff Mills與交響樂的首次搭配演出後報導:「Jeff Mills看起來迷路了。」但我並不這麼覺得。在Techno名曲中,經常有大量的弦樂、打擊樂元素,和管弦樂有著相對的關係。

若想在Jeff Mills的現場中,聽見那脫穎而出的Techno Beat,你是得去他的個人專場打碟秀才能親身體驗到的。而他和交響樂的表演是恰恰相反的。

Jeff Mills:「我在樂團的位置裡,比較接近大提琴、低音大提琴手,而我的工作是保持節奏。」


他為求音樂完美呈現,多次邀請指揮家代替自己來擔綱交響樂的編曲重任。而這些散發曖曖光澤的底特律之音經由交響樂的詮釋,不僅呈現了最立體的一面,氣勢壯闊,更令人歎為觀止。

Jeff Mills & Montpelier Philharmonic Orchestra - Full Video
——————————————————————————Music is Music, Life is Life, Rhythim is Rhythim. Derrick May

‘’Music is Music, Life is Life, Rhythim is Rhythim.’’——Derrick May

抬頭一看,天色全暗了,920分,今晚是月白風清的良夜,空氣的濕度聞起來像秋天,然而現在是盛夏。

也許是因為遠在他鄉的緣故,我突然想起一些四散在世界各地的朋友,有人讀書、有人結婚、有人行醫,有人為了理想出走,見面機會總是遙遙無期;我又想起家鄉裡的一些朋友,很多人在堅持某些事,他們從來沒有打算離開台灣。


舞台上空降了一條橫式的投影,Derrick May坐在指揮家Dzijan Emin的正前方。穿著黑襯衫和戴著黑框眼鏡的他,看起來像個爵士樂手。我瞇著雙眼看著他的雙手敲擊在Motif XF7鍵盤上,耳朵裡便傳來共鳴,那音樂涓涓的流動著,那投影柔柔粉粉的,是一條銀色小魚在舞台上無秩序的游著。

Photo: Jacob Christ

接下來我幾乎出神。我的意識被女高音Michelle McCarthy和女中音Cassandra Seidemann帶著走,只依稀記得自己彷彿在底特律的母體中;迪斯可芝加哥浩室歐陸白人合成器電子樂黑人放克靈魂爵士樂;Techno與古典交響樂的完美搭配根本超現實。

我就這樣癡癡的望著舞台,甚至看見許多孩童從椅子上站了起來並跳著舞,其實在座位席的觀眾多為闔家來觀賞交響樂的演出。可是派對(菸、麻、酒、毒)氣息實在太濃厚,所以我在進場後便壓根忘記了這些家庭的存在,坦白說這些組合非常奇怪,但這就是墨城最真實的樣貌。


霎時一個熟悉的鋼琴獨奏清爽的落下,我不由自主地跟著全場尖叫起來,是Derrick May的生涯代表作〈Strings of Life〉。記得Derrick May曾說:「如果你來我放歌的場子想要聽〈Strings of Life〉,那就滾吧!」但今晚的節目不同,也是目前唯一能親耳聽見他本人演奏的機會了,而透過指揮家Dzijan Emin的領導,更令我感受到舞台上的靈魂充滿著熱情的律動,精彩絕倫。

Derrick May & Friends - Strings of Life

電子樂對於Derrick May來說就像是一個無垢、無限的宇宙。因為住在底特律,那裡的一切對他來說既醜陋又雜亂。電子樂不僅還給他美好事物的想像力,也是啟發他開始創作的影響之一。這首歌在1988年發行時剛好迎上80末、90Acid House的熱潮,這些成熟的因緣,為底特律之音開了一扇門,Techno一炮而紅並席捲了全世界,接著歐洲、英國的音樂家又重新演繹了Techno,如今2016年,Techno已變成全世界夜生活的風格代表,放Techno的俱樂部從週五開始營業,一路不間斷到週日,時代徹底改變,音樂只是狂歡的輔助品。又有誰還記得最具指標性的底特律舞廳——The Music Institute?在當年,舞客們只單純為音樂而來,不僅人人有著開放的心胸,聽到音樂甚至還會全場齊唱,而且只賣果汁不賣酒,甚至還沒人抽菸......這樣的精神,還有誰記得呢?

MUSIC INSTITUTE 20TH ANNIVERSARY PT1 : DERRICK MAY - UNTITLED


此曲結束後,全場觀眾站了起來。這些熱烈的掌聲在漆黑的夜裡像是煙火一樣,然後Jeff Mills回到了舞台上,這是他們首度同台演出。對此,他們共同寫出了一首新歌,是今晚的安可曲。既然是最後一首歌,我決定往靠近舞台一些的方向走,不想錯過這個具有歷史性的演出。天空開始落下雨滴,迫使著在屋簷外的觀眾也擠進座位區。

MSO x Jeff Mills + Derrick May encore song 


指揮家Dzijan Emin雙手一揮,天衣無縫的將古典又前衛的MSO樂團、極簡又科幻的Jeff Mills與浪漫又熱情的Derrick May優雅地串聯在一起,我開始懷疑這場大雨是出自Dzijan Emin之手!他是今晚最出色的翻譯員,也是鐵克諾樂迷必須記住的藝術家。而他們一同譜出的曲目,果真得到了最大的掌聲。今晚對我而言,看到兩位表演者,已是夢想成真,還能聽到好聽到無話可說的新曲,簡直是太不可思議了。而三人在結束後輕輕說了聲謝謝便隨著團員一同離開了舞台。雨越下越大,剛剛演奏的音樂彷彿還在耳邊迴響。觀眾在底下歡呼,Derrick May回到舞台上拿了遺忘在鍵盤上的眼鏡後,揮揮手跑下舞台今晚完全沒有「神乎其技」也沒有「出神入化」,是一場穩紮穩打的形而上表演。雷雨交加的傾盆大雨迫使著我離開,上了電車後,我仍望著濕淋淋的窗外,回味著這場充滿浪漫主義的演出。

0 意見:

Interview | Gui Boratto

晚上11:24:00 Cloudy 0 Comments


  • Wed 12 Dec 2012 16:56

Words : Cloudy Ku
Within life's great landscape of musical encounters, everyone has definitely collected those bits and pieces of memories. That year, I was like a fruit being carried in a warm basket, and that basket was filled with people like me, and eventually the basket was so full of fruit that all sorts of emotions started pouring out. That collective memory of ours is the music of Gui Boratto.
I remember when I saw an imported copy of Kompakt's Chromophobia in the record shop back in 2007, I was in awe by Kompakt's use of colors that included all of the basic color tones on their album cover. At that time, for me, Kompakt was an electronic brand from Cologne, Germany that had both avant-garde designs and futuristic industrial concepts. Their albums were always minimalistic. Their choice of cover art color palette were always in the same tone, but varying in gradient, or shade. The music within, were at times cute and mischievious, sometimes possessing qualities of spiritual imagination. Most of the time though, that inviolable distance. After all, I am not a person who was born into the cultivation of German music. The emergence of Gui Boratto's album is filled with the most sincere of warmth. When listening, I can always feel this emotion that moves me. The song list order is arranged just right, tickling my emotions. It was then I fell in love with him!
During this correspondence interview, I thought repeatedly about how to let the readers and Gui Borrato himself seem more sincere. When I sent the interview correspondence letter, I really felt like I was sending a love letter, enclosed with 25 carefully thought out questions of interest and curiosity! Fortunately, the charming and gentlemanly Gui Borrato answered each question without reservation, an exclusive first interview for the fans in Taiwan!

1. We know you used to be a guitarist in a band and we can definitely hear some rock elements in your music. That is also why your fans are slightly different from regular EDM music fans. Can you tell us about your rock music career?
Gui:Guitar and piano are my main instruments. I used to play guitar in some bands when I was young, but I did not have a proper career. Speaking about my different audience, yes, I guess because of my rock influence I have a slightly different crowd, which I love it. It's good to have different tribes on a festival. Definitely, my listeners are not 100% techno head bangers.

2. How much time do you spend on music everyday, whether practicing or producing?
Gui:It's like a disease. I pretty much stay all day in the studio, playing around, doing some music, remixing, whatever. Even if I go to the beach for more then 3, 4 days, I used to bring my laptop to scrap some little ideas.

3. When did you start remixing? How did you transform from guitarist to producer?
Gui:I was a guitar and piano player. I've studied both for more then 12 years. Meanwhile, I've started to produce some music for my band that time, and naturally started to program things on my first sequencer. A Roland MC-500, a gift from my father on 1989. Then, some years passed and I've also started to produce things for other bands. Only after 15 years doing that, I've decided to be more focus on my own music. Right after my first techno hit release, "Arquipélago", people started to request some remixes from my side. I'm glad that I did some nice remixes for people like Pet Shop Boys, Massive Attack, Simian Mobile Disco, Bomb The Bass, Goldfrapp, M.A.N.D.Y etc...

Simian Mobile Disco - Bad Blood (Gui Boratto Remix)

Goldfrapp - A & E (Gui Boratto Remix)

4. What gear do you use to make music?
Gui:A lot of hardware mainly. But I love soft synths as well. My favorite hardware are, SH-09, 101, EMS-VCS-3, All MKS Roland modules (50, 70 & 80), Juno, Six Trak, PolySix, System-100, NordLead, all Roland drum machines (TR-606, 808, 909 etc...) Speaking about software, I really love Reaktor, Kontakt, and some Logic native synths.Everything is programmed thru Logic. I still use my ProTools hardware with Apogee audio interfaces. Some D.I.s, and a pair of Adam Monitors.That's it.
5. "Chromophobia" really subverted our impression of you from TECHNO,in a good way of course. Has the release of this album made any impact to your career or personal life?
Gui:Yes, especially the song "Beautiful Life", which made my audience grow a lot. Because of this album, I started to tour all corners of the planet. I'm very happy about the result of this album.
Gui Boratto - Beautiful Life"
6. We often hear your work in the form of remixes, but we also want to hear more of your mixtapes. Are there any plans on putting out new mix-albums?

Gui:Well, everybody knows that I'm not a DJ. I really like to do the Renaissance mix compilation though. But I really prefer to be more focus on my own music. Mainly in the studio or playing my songs live.

Andre Sobota - Forgotten

7. We really like the remix you did on Massive Attack's Paradise Curcus and Black River from Bomb The Bass. On what occasion did you have the opportunity to make these remixes?We'd really like to know. 
Gui:Bomb the Bass came first. Tim Simenon came to me and after doing that,he asked me to get together and produce the new Bomb The Bass album together. He came to Brazil and we stayed for 2 weeks composing andproducing.The Massive request came from the guys from EMI. I loved the original and got inspired a lot. I recorded the guitars and the bass line.Grant and Rob from Massive were very happy with the final result. That was the story.
Bomb The Bass - Black River (Gui Boratto Remix)


8. Do you, like Massive Attack, have any message you want to bring forth? For example, any political or social issues?
I love the music from them. To be honest, I'm not really into political issues. For me, music and the relations between harmony and melody use to make me cry, not political messages. On the other hand,I think these kind of messages are very important and make people think at the time of their votes, for example.
Massive Attack - Paradise Circus (Gui Boratto Remix)


9. Can you tell us how the EDM scene is in Brazil?
Brazil has the most amazing clubs of the planet, but the scene here is becoming very cheesy and commercial in all senses. I miss some old clubs and venues where people used to be there only because of good music. Now, people want to see and to be seen. Sad,sad, sad....

10. The Taiwanese and the Brazilians have one thing in common: Passion! But passion is a very broad word. Do you think Brazil is a place full of passion?
Gui:Of course. Everything we do has a lot of passion. Food, Football,Music, etc!!!!!


11. It is our custom to ask about your impression of Asia. It would be great if you can tell us what you feel about Taiwan!

Gui:Can't tell. It's going to be my first time there!
12. We believe that in this tour it will be the first time for many to hear your music or see your performance. How do you distinguish your performance from other professional DJs?
Gui:As you might know, I don't DJ. I play live, and 100% of my own productions. My own music or my remixes for other artists.
This is a big difference. The good thing is that I can improvise,experiment things on the fly that is quite impossible for a regular DJ. But it's not comparable. The art of DJing is another story. A beautiful story I can say. And art I really cannot do it. Not as a professional DJ.

13. What gear do you use in your live performance?
Gui:A laptop, audio interface, a controller and a Lemur. Very simple. Very
kompakt :-) 

14. We know that you sometimes incorporate live guitarists in your performance, will Taiwan be able to see this performance in the future?
Gui:Why not. But for this tour, I'll be alone. Alone but full of excitement.

15. Some people relieve stress by listening to music or attending liveperformances. What does Gui Boratto do? How do you relieve stress?
Gui:I make music. I draw things. I love movies. Yes, movies is one of my favorite stress relieves.
16. Can you give some advice to young creators? How do you balance time between music-making and other affairs?
Gui:I believe a true dedication is the key. I know it's hard to make music a living work, in terms of money etc. But dedication is the key to really become somebody in this truly competitive world.

17. Is there any meaning/story behind the cover-art of "Take My Breath Away"?
Gui:The message is the kids, with masks and the fake flowers. The environment seems to be nice, but it's just too fake. All flowers are plastic ones. And the kids are sick and tired of that. It's a critic in all senses. All terms: politics, music, pollution, social relations, everything.
18. We feel your expression of love in ''Take My Breath Away''. Our friends each have different interpretations of the lyrics in ''No Turning Back." What is your interpretation of the lyrics? Combined with music, what specific emotion are you trying to express?
Gui:Well, the lyrics are so general that it causes different interpretations for each one. So, let's keep it like this. That's what I wanted to cause. Depending on the mood of each one, that song can be happy. Depending, it can be really sad. I love when it happens.

19. The common conception of electronic is that it is cold and indifferent. Your music however conveys a sense of healing. Have you ever had any rebellious periods in your youth? If there was, what sort experience was that?
Gui:I came from rock. I'm a guitar player. I really cannot stand listening pure techno for 6 hours. I really need something else. Some melodies.This is a true slap in my face. I need to feel something. Good or bad.
20. In another interview, you said that "Chromophobia" was not an album designed for the dance floor. You also mentioned that you are not a dancing person. Yet nowadays everyone in the clubs are dancing to your music. Did this phenomenon create any impact on you?
Gui:I was expecting that. But honestly, I see people on the dance floor listening to my music more then dancing. I see they are enjoying and paying a lot of attention. That really makes me happy. My music are not explosive. But something to feel and something that takes you to a different level.

21. What kind of music are you listening to lately? Can you recommend any artists or bands that you like?
Gui:I really like Michael Buble, some rock bands like Klaxons, some tangos and boleros.

22. I personally feel that your new album is a continuation of "Chromophobia." it has very heady emotions. We were excited ever since your new single was open for download. Please say something about your new album!
Gui:You are totally right. It's a continuation. But "III" has more of my rock and roll vain. It's a bit more introspective, but sometimes more aggressive. For me, "III" is my favorite album so far.
23. You are a song-writer, producer, musician, gourmet, architect and a father. You were also once an architecture student. How are you enjoying life so far? Are you looking forward to the food in Taiwan?Also, what are your future plans?
Gui:Food is really important. Im a total foodie. Im really looking for to go to some nice restaurants in China. I adore the asian cuisine and I can't wait to be there. I love spices, I love fish, I love the combination of these elements on the asian dishes. Future plans? Maybe setup a little restaurant here in São Paulo? A fish one.
Gui Boratto - Striker

24. Can you recommend places in São Paulo for Taiwanese tourists traveling there? Are there any live houses, bars or restaurants that
Gui:you recommend?Let's focus on the restaurants. My favorites are: "Ici Bistrot" (my fav. french one in town). "Le Vin", also a really nice french. And Nagayama (Al. Consolação). The best japanese in town. But you need to sit on the bar, and ask Armando, the best sushiman in Brazil. I super recommend.

25. Lastly, please say something to your fans in Taiwan!
Gui:Really excited to be there, for the first time. I invite all of you to hear some of my music, from the past, present and some from the future (unreleased stuff)... Let's go! Kisses, Gui!!!!!



Battles - Wall Street (Gui Boratto Remix) taken from Dross Glop

Pet Shop Boys-Love Etc (Gui Boratto Remix)


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Music | 「2015 本事現場」SWANS 紐約闇黑傳奇

晚上11:21:00 Cloudy 0 Comments



我曾聽說,90年代後的末代文青,也就是現在的「資深樂迷」們,在經歷過野百合學運之後,凝聚了社會的各種能量,在1995年舉辦的「臺北國際後工業藝術祭」之中大爆發。反叛的憤青和藝術家們在這為期數日的表演中,不僅驚耳駭目,台上、台下那些血淋淋的視覺和濕漉漉的身體演出,或許是當時的學運份子追求龐克運動中,最虛無也最誠實的出口。

同年間,台灣也舉辦了第一場的戶外銳舞派對與第一屆春天吶喊。

這是敲派(台語)的前人,在當年種樹的小故事。而我們這些8、90後出生的青年,一面乘涼還一面嫌著這些老憤青,不懂我們內心的抑鬱。

回溯當時的音樂脈絡,來自紐約的闇黑傳奇樂團SWANS,當年可是和Einstürzende Neubauten新建築物倒塌、Nine Inch Nails九吋釘、Ministry內閣樂團並駕齊驅。這群硬派到不行的大叔們,現場超大聲,至今還是一樣兇。

曾參加表演的朋友說,SWANS演出是出神的奇異體驗;這些看起來猶如異教徒的巫師天鵝們,根本在對樂器施法,主唱甚至在現場狂打自己和團員耳光。什麼表演時用力跺腳、頻頻甩手或是囈囈自語等超STONE行為,據說只是小CASE,大叔們比我們還壞,完全令人捉摸不透。

如果你喜歡實驗噪音、後龐克、工業、歌德、邪典異教、金屬,也喜歡濁水溪公社、Sonic Youth音速青春、Godspeed You! Black Emperor、Lydia Lunch等歪團,2015年1月31日,想邀請你(妳)和我一起去看SWANS的表演。

誰是Swans?

1983年創團的SWANS,至今成軍31年;1997年解散,而後在2010年重組。復出發行了《My Father Will Guide Me Up a Rope to the Sky》專輯,悄悄地、低調地穿越時空重新入場,截至2014年,總共發行13張專輯。
懶人包:http://news.wwr.com.tw/site/news/295#

認識SWANS團員:
http://news.wwr.com.tw/site/news/293

一次認識SWANS的13張專輯:(導聆SWANS 專輯指南 by 小白兔唱片 KK)
http://news.wwr.com.tw/site/news/288

SWANS現場在幹嘛:
http://news.wwr.com.tw/site/news/294

九零年代前Swans的老樂迷,可以閱讀這篇:
http://news.wwr.com.tw/site/news/292

1995臺北國際後工業藝術祭:
https://sites.google.com/site/ciadff2014/programs/heading_north/1995-post-industrial-arts-festival

「2015 本事現場」SWANS 紐約闇黑傳奇

日期 Date:2015.01.31 (六)
地點 Venue:Legacy Taipei (台北市中正區八德路一段一號)
時間 Time:19:30 Open - 20:00 Start
表演長度:120分鐘
票價 Price:一般預售 $1900,現場票 $2200
線上購票 Online Ticketing:博客來售票網

實體售票點 Physical Ticketing:
小白兔唱片行 (台北市大安區浦城街21巷1-1號)
先行一車黑膠倉庫 (台北市大安區師大路102巷八號)
Mangasick (台北市羅斯福路三段244巷10弄2號B1)
小麻雀二手買與賣 (新北市板橋區文化路二段125巷48號)
早秋咖啡 CAFE Macho (100 台北市中正區晉江街10號)

#SWANS #小白兔唱片行 #本事現場

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Interview | Gui Boratto @Taipei 美好的音樂旅程 HINOTER 獨家中英專訪完整版

晚上9:53:00 Cloudy 0 Comments

  • Dec 12 Wed 2012 16:56
Editor&Text:庫巧兔Cloudy Ku 文章出處:HINOTER映樂誌2012春季號
Translate:Thomas Hu、黑玲Black Bells、李佳純Sandy Lee Photo:黃威傑Wei-Chieh Huang、Kompakt Costume Sponsor:翠普文化Tripper 
在人生一大片的音樂風景中,每個人都確實的採集了那些片斷的各種記憶。那年我像果實一樣的被拾起在一個溫暖的籃中,那只籃子裡面裝載著和我一模一樣的人,直到現在果實不斷的增加,而滿溢的情感緩緩流瀉,我們的共同記憶就是Gui Boratto的音樂。
記得我在2007年在唱片行看到來自Kompakt的航空版《Chromophobia》時,訝異著Kompakt竟出了張色彩涵蓋所有顏色基調的專輯封面。因為那時候的Kompakt對我而言,是來自德國科隆兼具前衛設計與未來工業質感的電音品牌,他們的專輯封面總是簡約有力,封面用的色塊總是接近其漸層色階,而裡頭的音樂有時很俏皮可愛,有時具有心靈的想像空間,大多數的時候總還有點不可侵犯的距離。畢竟我不是在德國的音樂文化陶冶中出生吧!然而,Gui Boratto這張專輯卻充滿溫暖旭意,聆聽時胸口總有股淡淡的動人情懷,專輯曲目恰如其分的編排,情緒錯落有致,在那時我就深深愛上了他。
在這篇文字專訪中,我不斷的思考如何讓讀者以及Gui Boratto在對話裡面感受到最大的誠意,而專訪的信函好像一封情書似的,裡面小心翼翼的裝載著對他的瞭解以及好奇。很幸運的!風度翩翩的Gui Boratto也毫無保留的細心回答每個問題,獻給了台灣樂迷首次的獨家專訪。
Q1:聽聞你以前是樂團吉他手,從你的音樂可以聽的出來搖滾氣息,正因如此你的樂迷和一般電子舞曲的樂迷似乎不一樣。可以談談你的搖滾樂生堐?
A:吉他和鋼琴是我過去學習的主要樂器。年輕時我在幾個樂團彈吉他,但稱不上事業。關於我的聽眾不同,對!我猜是因為我受到搖滾樂影響,所以樂迷有點不同,我喜歡這點。在音樂祭能有不同族群的樂迷是很好的,所以我的聽眾肯定不是100%只會聽著科技舞曲搖頭晃腦的人。

Q2:你每天花多少時間在音樂上,無論是練習還是製作?
A:這簡直像疾病一樣!我幾乎每天都在錄音室裡混,做音樂、混音什麼的。就算我去海邊超過三、四天,我也都帶著筆電記錄一些想法。

Q3:你什麼時候開始做混音?如何從吉他手轉變為製作人?
A:我以前是吉他手也是鋼琴手,我花了超過12年學這兩個樂器。那時我同時開始幫我的樂團做製作,自然而然我開始用我爸送我的Roland MC-500, 同時也是我擁有的第一台編曲機做一些編曲,這是我爸在1989年送我的禮物。過了幾年我也開始幫其他樂團製作東西,15年過去了,我決定專注於自己的音樂事業。我的第一首暢銷作品“Arquipelago“推出以後開始有人找我混音。我也很高興曾經幫一些藝人做過不錯的混音,比如寵物店男孩(Pet Shop Boys)、強烈衝擊(Massive Attack)、猴塞雷迪斯可(Simian Mobile Disco)、Bomb the Bass、冰金樂團(Goldfrapp)、M.A.N.D.Y等等…


Goldfrapp - A & E (Gui Boratto Remix)

Simian Mobile Disco - Bad Blood (Gui Boratto Remix)


Q4:你用什麼器材做音樂?
A:主要是硬體,但我也喜歡軟音源。我最愛的硬體有Roland SH-09/101、EMS-VCS-3、所有的Roland MKS音源(50/70/80)、Juno、Six Trak、PolySix、System-100、Nord Lead、所有的Roland 鼓機(TR-606/808/909 等等...)。軟體部分,我很愛Reaktor、Kontakt、還有一些Logic的native synths。全部東西都是用Logic編的。我現在也還在用ProTools硬體和Apogee音訊介面,一些D.I.,還有一對Adam喇叭等等。

Q5 :說真的“Chromophobia“顛覆了我們對於科技舞曲的刻板印象,當然那是好的方面。發行這張專輯對你的事業和私生活有什麼影響嗎?
A:有,尤其是“Beautiful Life“這首歌,讓我的聽眾數量成長很多。因為這張專輯我開始到世界各地巡迴。我對專輯的成果很滿意。

Gui Boratto - Beautiful Life

Q6:我們多半聽到你的混音作品,不過也貪心的更想聽到時間較長的連續混音作品。你有計劃推出新的混音專輯嗎?A:大家都知道我不是DJ,但我作文藝復興混音這張合輯的時候真的很愉快。不過我現在比較想專注在我自己的音樂上,像是在錄音室或做現場演出。



Andre Sobota - Forgotten




Q7:我們非常喜歡你為強烈衝擊的Paradise Circus和Bomb the Bass的Black River混音。當初怎麼有機會做這兩首歌的,起因跟機緣我們很好奇。
A:起先是作老團Bomb the Bass,團長Tim Simenonlai來找我,做了這首之後他邀我一起製作Bomb the Bass的新專輯。他到巴西兩個禮拜,我們一起作曲製作。強烈衝擊則是EMI公司的人來找我,我很喜歡原曲,給了我很多靈感。我錄了吉他和貝斯,強烈衝擊的團員Grant和Rob對成果相當滿意。



Bomb The Bass - Black River (Gui Boratto Remix)

Q8:你會不會像強烈衝擊一樣有一些訊息要傳達,比如政治或社會議題?
A:我喜歡他們的音樂,但老實說我對政治議題不是那麼有興趣。對我而言,讓我感受深刻的是音樂以及和聲與旋律之間的關係,不是政治議題。但從另一方面來說,這類訊息很重要,讓大家在投票的時候會思考一下(笑)。



Massive Attack - Paradise Circus (Gui Boratto Remix)

Q9:巴西的音樂電子音樂環境好嗎?
A:巴西的舞廳是全世界最棒的,但現在這圈子變得很俗氣又商業化。我很想念一些老舞廳和展演場所,大家是為了好音樂而去。現在的人只是去看人和被看,非常悲哀…

Q10:台灣人和巴西人有一個共同點,就是熱情!但熱情的定義很廣。你覺得巴西這個地方充滿熱情嗎?
A:當然,我們做什麼都充滿熱情,食物、足球、音樂等等(大笑)!!!
Q11:不能免俗要問一下你對亞洲的印象。請你說說對台灣的感覺!
A:我對台灣的感覺嗎?如果妳願意告訴我那就太好了!這是我第一次去,目前不能說(笑)。

Q12:相信這次巡迴是很多人第一次聽到你的音樂,看到你的演出。你如何把自己的演出和其他專業DJ的演出區隔開來?
A:你們大概也知道,我不是一位DJ。我在現場演出,100%都是自己的製作,無論是我自己的音樂或幫其他藝人做的混音,這是很大的不同。好處是我可以很即興,臨場實驗一些東西,對一般DJ而言不太可能做到。但兩者不能相比,DJ藝術是另一回事,是很美的東西,我真的做不來,我不是位DJ。



Q13:你在現場用到哪些器材?
A:筆電、音訊介面、AKAI APC 40 控制器和一台Lemur。很簡潔也可以完整表達我的現場表演

Q14:我們知道你有時會搭配吉他手做現場,未來在台灣有機會看到這樣的演出嗎?
A:有何不可,但這次巡迴不會,我是一個人演出。但一個人也充滿無限的可能性。

Q15:有些人紓壓的方式是聽音樂或看現場演出。Gui Boratto都做什麼,你私底下都如何紓壓?
A:我作音樂,畫素描,我愛電影。對,電影是我最愛的紓壓方式之一。


Q16:你可以給年輕創作者一些忠告嗎?如何平衡做音樂和做其他事情的時間?
A:我相信關鍵在於真心奉獻。我知道要靠做音樂維生很難,錢的問題等等的。但一定要真心奉獻,才可能在這個競爭激烈的圈子裡出人頭地。

Q17:Take My Breath Away的封面設計背後有什麼故事?
A:那個訊息其實是小孩子戴防毒面罩拿塑膠人工花朵,環境看起來很舒服但很虛假,所有的花都是塑膠花,小孩們又煩又累,整體上就是批判與反諷,對政治、音樂、大自然環境、社會關係等各層面...等等。

Q18:我們感受到你在Take My Breath Away傳達的愛,朋友們對No Turning Back的歌詞則各有自己的解釋。你自己對歌詞的解釋是什麼?加上音樂之後,你想表達的是哪一種情緒?
A:歌詞很意象所以每個人有自己的解釋,我覺得這樣就好。這是我想要看到的。就是以每個人的心情來詮釋,這首歌可以開心也可以很悲傷。我喜歡這樣。

Q19:一般認為電子音樂冰冷又疏離,但你的音樂有種癒療的想像空間。你年輕的時候有叛逆期嗎,若有的話是什麼樣的經驗?
A:我出身是搖滾吉他手,我也真的沒辦法連續聽Techno六個小時(笑)。我需要別的東西像是一些旋律,這是我切身的體認。我需要感覺到那些,無論好與不好。

Q20:你在另一篇訪問裡提到Chromophobia不是為舞池而設計的專輯。你也提過你不愛跳舞,但這年頭大家在舞廳裡聽你的音樂跳舞。這個現象對你有什麼影響嗎?
A:我知道會這樣(笑),但老實說,大家在舞池是「聽」我的音樂而不是跳舞。看見大家享受且認真聽音樂,讓我很開心。我的音樂沒有爆發性,而是讓人感受之後帶你走向另一個層面。



Q21:你最近都聽一些什麼樣的音樂?可以推薦喜歡的藝人或樂團嗎?
A:我很喜歡麥可布雷(Michael Bublé),其他搖滾樂團如悲鳴樂團(Klaxons),還有一些探戈和波麗露(Bolero)舞曲。

Q22:我個人覺得你的新專輯是Chromophobia的延伸,裡頭有強烈的情緒。從你的新單曲免費開放下載之後大家就很興奮,請談談你的新專輯!
A:你說得完全沒錯!是一個延伸,但III有更多搖滾樂血肉,比較自省與內斂,但想表達自我概念的企圖心更強。對我而言”III“是我目前為止最喜歡的專輯。




Q23:你身兼詞曲創作者、製作人、樂手、美食家、建築師和父親。你目前還算享受生活嗎?你會不會期待台灣美食?然後你未來的計劃有什麼?
A:食物對我真的很重要,我徹頭徹尾是個美食家,很期待在中國的時候去一些好餐廳。我愛亞洲菜,恨不得趕快去台灣。我愛香料,我愛吃魚,我愛亞洲菜裡這兩種元素的有趣結合。我的未來計劃?也許在聖保羅開一間賣海鮮的小餐廳吧(笑)。

Q24: 推薦聖保羅一些地點給台灣朋友吧!有沒有不錯的Live House、小酒館或餐廳?或是任何值得一去的地方。
A:我們先專注在餐廳。我喜歡的有Ici Bistro(我最愛的法國餐廳),Le Vin也是很好的法國餐廳。然後Nagayama(在Consolação路),聖保羅最棒的日本餐廳,你一定要坐吧台找Armando,巴西最棒的壽司師傅,我超推薦這家。

Q25:最後請給台灣樂迷說幾句話!
A:非常興奮第一次到台灣演出,我在這邊邀請大家來聽我的音樂,從過去、現在到未來(有一些未發表的作品)...Let’s go!謝謝你們,Gui!
以下都是我個人最喜歡的Gui Boratto個人單曲以及混音作品,聽聽看!
 Gui Boratto - No Turning Back
Battles - Wall Street (Gui Boratto Remix) taken from Dross Glop

Pet Shop Boys-Love Etc (Gui Boratto Remix)

Gui Boratto - The Drill


最後附上英文專訪、簽名實況照片跟合照以及簽名照片^_^




Within life's great landscape of musical encounters, everyone has definitely collected those bits and pieces of memories. That year, I was like a fruit being carried in a warm basket, and that basket was filled with people like me, and eventually the basket was so full of fruit that all sorts of emotions started pouring out. That collective memory of ours is the music of Gui Boratto.
I remember when I saw an imported copy of Kompakt's Chromophobia in the record shop back in 2007, I was in awe by Kompakt's use of colors that included all of the basic color tones on their album cover. At that time, for me, Kompakt was an electronic brand from Cologne, Germany that had both avant-garde designs and futuristic industrial concepts. Their albums were always minimalistic. Their choice of cover art color palette were always in the same tone, but varying in gradient, or shade. The music within, were at times cute and mischievious, sometimes possessing qualities of spiritual imagination. Most of the time though, that inviolable distance. After all, I am not a person who was born into the cultivation of German music. The emergence of Gui Boratto's album is filled with the most sincere of warmth. When listening, I can always feel this emotion that moves me. The song list order is arranged just right, tickling my emotions. It was then I fell in love with him!
During this correspondence interview, I thought repeatedly about how to let the readers and Gui Borrato himself seem more sincere. When I sent the interview correspondence letter, I really felt like I was sending a love letter, enclosed with 25 carefully thought out questions of interest and curiosity! Fortunately, the charming and gentlemanly Gui Borrato answered each question without reservation, an exclusive first interview for the fans in Taiwan!
1. We know you used to be a guitarist in a band and we can definitely hear some rock elements in your music. That is also why your fans are slightly different from regular EDM music fans. Can you tell us about your rock music career?
Gui:Guitar and piano are my main instruments. I used to play guitar in some bands when I was young, but I did not have a proper career. Speaking about my different audience, yes, I guess because of my rock influence I have a slightly different crowd, which I love it. It's good to have different tribes on a festival. Definitely, my listeners are not 100% techno head bangers.

2. How much time do you spend on music everyday, whether practicing or producing?
Gui:It's like a disease. I pretty much stay all day in the studio, playing around, doing some music, remixing, whatever. Even if I go to the beach for more then 3, 4 days, I used to bring my laptop to scrap some little ideas.

3. When did you start remixing? How did you transform from guitarist
to producer?
Gui:I was a guitar and piano player. I've studied both for more then 12 years. Meanwhile, I've started to produce some music for my band that time, and naturally started to program things on my first sequencer. A Roland MC-500, a gift from my father on 1989. Then, some years passed and I've also started to produce things for other bands. Only after 15 years doing that, I've decided to be more focus on my own music. Right after my first techno hit release, "Arquipélago", people started to request some remixes from my side. I'm glad that I did some nice remixes for people like Pet Shop Boys, Massive Attack, Simian Mobile Disco, Bomb The Bass, Goldfrapp, M.A.N.D.Y etc...

4. What gear do you use to make music?
Gui:A lot of hardware mainly. But I love soft synths as well. My favorite hardware are, SH-09, 101, EMS-VCS-3, All MKS Roland modules (50, 70 & 80), Juno, Six Trak, PolySix, System-100, NordLead, all Roland drum machines (TR-606, 808, 909 etc...) Speaking about software, I really love Reaktor, Kontakt, and some Logic native synths.Everything is programmed thru Logic. I still use my ProTools hardware with Apogee audio interfaces. Some D.I.s, and a pair of Adam Monitors.That's it.

5. "Chromophobia" really subverted our impression of you from TECHNO,in a good way of course. Has the release of this album made any impact to your career or personal life?
Gui:Yes, especially the song "Beautiful Life", which made my audience grow a lot. Because of this album, I started to tour all corners of the planet. I'm very happy about the result of this album.

6. We often hear your work in the form of remixes, but we also want to hear more of your mixtapes. Are there any plans on putting out new mix-albums?
Gui:Well, everybody knows that I'm not a DJ. I really like to do the Renaissance mix compilation though. But I really prefer to be more focus on my own music. Mainly in the studio or playing my songs live.

7. We really like the remix you did on Massive Attack's Paradise Curcus and Black River from Bomb The Bass. On what occasion did you have the opportunity to make these remixes?We'd really like to know. 
Gui:Bomb the Bass came first. Tim Simenon came to me and after doing that,he asked me to get together and produce the new Bomb The Bass album together. He came to Brazil and we stayed for 2 weeks composing andproducing.The Massive request came from the guys from EMI. I loved the original and got inspired a lot. I recorded the guitars and the bass line.Grant and Rob from Massive were very happy with the final result. That was the story.

8. Do you, like Massive Attack, have any message you want to bring forth? For example, any political or social issues?
I love the music from them. To be honest, I'm not really into political issues. For me, music and the relations between harmony and
melody use to make me cry, not political messages. On the other hand,I think these kind of messages are very important and make people think at the time of their votes, for example.

9. Can you tell us how the EDM scene is in Brazil?
Brazil has the most amazing clubs of the planet, but the scene here is becoming very cheesy and commercial in all senses.
I miss some old clubs and venues where people used to be there only because of good music. Now, people want to see and to be seen. Sad,sad, sad....

10. The Taiwanese and the Brazilians have one thing in common:
Passion! But passion is a very broad word. Do you think Brazil is a place full of passion?
Gui:Of course. Everything we do has a lot of passion. Food, Football,Music, etc!!!!!

11. It is our custom to ask about your impression of Asia. It would be great if you can tell us what you feel about Taiwan!
Gui:Can't tell. It's going to be my first time there!

12. We believe that in this tour it will be the first time for many to hear your music or see your performance. How do you distinguish your performance from other professional DJs?
Gui:As you might know, I don't DJ. I play live, and 100% of my own productions. My own music or my remixes for other artists.
This is a big difference. The good thing is that I can improvise,experiment things on the fly that is quite impossible for a regular
DJ. But it's not comparable. The art of DJing is another story. A beautiful story I can say. And art I really cannot do it. Not as a
professional DJ.

13. What gear do you use in your live performance?
Gui:A laptop, audio interface, a controller and a Lemur. Very simple. Very
kompakt :-) 

14. We know that you sometimes incorporate live guitarists in your performance, will Taiwan be able to see this performance in the
future?
Gui:Why not. But for this tour, I'll be alone. Alone but full of excitement.

15. Some people relieve stress by listening to music or attending liveperformances. What does Gui Boratto do? How do you relieve stress?
Gui:I make music. I draw things. I love movies. Yes, movies is one of my favorite stress relieves.

16. Can you give some advice to young creators? How do you balance time between music-making and other affairs?
Gui:I believe a true dedication is the key. I know it's hard to make music a living work, in terms of money etc. But dedication is the key to really become somebody in this truly competitive world.

17. Is there any meaning/story behind the cover-art of "Take My Breath Away"?
Gui:The message is the kids, with masks and the fake flowers. The environment seems to be nice, but it's just too fake. All flowers are plastic ones. And the kids are sick and tired of that. It's a critic in all senses. All terms: politics, music, pollution, social
relations, everything.

18. We feel your expression of love in ''Take My Breath Away'.' Our friends each have different interpretations of the lyrics in ''No
Turning Back." What is your interpretation of the lyrics? Combined with music, what specific emotion are you trying to express?
Gui:Well, the lyrics are so general that it causes different interpretations for each one. So, let's keep it like this.
That's what I wanted to cause. Depending on the mood of each one, that song can be happy. Depending, it can be really sad. I love when it happens.

19. The common conception of electronic is that it is cold and indifferent. Your music however conveys a sense of healing. Have you
ever had any rebellious periods in your youth? If there was, what sort experience was that?
Gui:I came from rock. I'm a guitar player. I really cannot stand listening pure techno for 6 hours. I really need something else. Some melodies.This is a true slap in my face. I need to feel something. Good or bad.

20. In another interview, you said that "Chromophobia" was not an album designed for the dance floor. You also mentioned that you are not a dancing person. Yet nowadays everyone in the clubs are dancing to your music. Did this phenomenon create any impact on you?
Gui:I was expecting that. But honestly, I see people on the dance floor listening to my music more then dancing. I see they are enjoying and paying a lot of attention. That really makes me happy. My music are not explosive. But something to feel and something that takes you to a different level.

21. What kind of music are you listening to lately? Can you recommend any artists or bands that you like?
Gui:I really like Michael Buble, some rock bands like Klaxons, some tangos and boleros.

22. I personally feel that your new album is a continuation of "Chromophobia." it has very heady emotions. We were excited ever
since your new single was open for download. Please say something about your new album!
Gui:You are totally right. It's a continuation. But "III" has more of my rock and roll vain. It's a bit more introspective, but sometimes more aggressive. For me, "III" is my favorite album so far.

23. You are a song-writer, producer, musician, gourmet, architect and a father. You were also once an architecture student. How are you enjoying life so far? Are you looking forward to the food in Taiwan?Also, what are your future plans?
Gui:Food is really important. Im a total foodie. Im really looking for to go to some nice restaurants in China. I adore the asian cuisine and I can't wait to be there. I love spices, I love fish, I love the combination of these elements on the asian dishes. Future plans? Maybe setup a little restaurant here in São Paulo? A fish one.

24. Can you recommend places in São Paulo for Taiwanese tourists traveling there? Are there any live houses, bars or restaurants that
Gui:you recommend?Let's focus on the restaurants. My favorites are: "Ici Bistrot" (my fav. french one in town). "Le Vin", also a really nice french. And Nagayama (Al. Consolação). The best japanese in town. But you need to sit on the bar, and ask Armando, the best sushiman in Brazil. I super recommend.

25. Lastly, please say something to your fans in Taiwan!
Gui:Really excited to be there, for the first time. I invite all of you to hear some of my music, from the past, present and some from the future (unreleased stuff)... Let's go! Kisses, Gui!!!!!





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